‘Impossible’ to create AI tools like ChatGPT without copyrighted material, OpenAI says::Pressure grows on artificial intelligence firms over the content used to train their products
‘Impossible’ to create AI tools like ChatGPT without copyrighted material, OpenAI says::Pressure grows on artificial intelligence firms over the content used to train their products
I looked a bit into your history, and discovered you only discuss copyright when it’s on a post about AI corporations. It seems that up until OpenAI stood to exploit workers, you didn’t much care…
I only discuss copyright on posts about AI copyright issues. Yes, brilliant observation. I also talk about privacy y issues on privacy relevant posts, labor issues on worker rights related articles and environmental justice on global warming pieces. Truly a brilliant and skewering observation. Youre a true internet private eye.
Fair use and pushing back against (corporate serving) copyright maximalism is an issue I am passionate about and engage in. Is that a problem for you?
You only act concerned about copyright when AI is brought up. You’ve never mentioned it outside of that context.
I’m sure your concern is genuine…
I am an attorney that has worked extensively in copyright and specifically fair use and the only interesting issue in copyright I feel like discussing is generative art — primarily because the discourse is getting overwhelmed by well meaning lefties and creators in my circles who are unfortunately carrying water for the same copyright maximalist arguments corporate IP holders have been marketing for years. We need more fair use, not less. Expanding copyright once again to cover training a model - which is what would be required because as is these models are not infringing on any existing copyright rights - would have disastrous results on small artists and creators, only surge to further enrich corporate IP hoarders that can handle the exploding court costs that will result from such an expansion.
To be clear, I also am very concerned about the many externalities of generative AI. Labor, environmental, competition, national security, privacy — but we’re not going to copyright our way out of those problems.
Creators in your circles? Does that include your clients, because apparently small artists hire you?
Well now I’m intrigued.
Exactly how do you prevent your clients from getting their content stolen by a corporation created by Sam Altman, who is worth half a billion dollars on his own?
Yes. I have worked with small artists, creators, software engineers, game designers, YouTubers and podcasters. Among others. No, I won’t tell you who they are. No, I don’t care if you don’t believe me. These days it’s primarily privacy, to be fair, but yes, generative art and its intersection with copyright law is something I am passionate about. This isn’t the gotcha you think it is.
You write license agreements for your business partners. For most infringement you send a series of letters or try to interface with whatever cyberpunk dystopia bureaucratic machine is set up to handle DMCA with your platform of choice. Scraping otoh is something I advise to ignore. For those that are upset by scraping I would suggest that they can certainly use robots.txt to prevent future scraping but would also explain that their content isn’t getting stolen by OpenAI. What we’re seeing with generative AI is not an abuse of existing copyright, it’s something new, and I fundamentally don’t think more expanding copyright again is going to help.
Look, I’m no fan of Sam Altman. Fuck that guy. Fuck every billionaire. His crypto disaster is a privacy dystopic wet dream. I imagine you and I would probably agree a lot more than we disagree. The problem, as I see it, is that copyright has ALWAYS been a shit framework for small artists and creators. It’s an effective instrument to be abused by those with bottomless pockets. But it is fundamentally not suited to actually address the negative externalities we are all seeing with generative AI.
I trust you enough to believe that you aren’t stupid, and you know what to say and not say in any given place. That’s why I thought it was extremely curious that you never bring up copyright in any thread except when it’s about AI. I can understand being a defeatist when working with small creators, of course.
Speaking of which, what do you call theft? After all, with your legal background, doesn’t pedantry kick into high gear and remind you the issues are piracy etc?
So are you more focused on targeting the little pirates and not the big rich billionaires in your business, or…?
Not legal advice not your lawyer etc etc. But I would likely never suggest someone pursue aggressively against individual piracy. You write contracts for your partners. You fight businesses when they breach. You make great work and price it appropriately. You make your wins there and you do everything you can to not find yourself in a courtroom or arbitration if you can avoid it. You’re not winning any friends and you’re not saving yourself any trouble by raging against torrents. Especially for small creators the calculus never (imo) works out in their favor. More often than not, small artists and creators need to be much more concerned about and need help with being able to defend themselves against spurious accusations of infringement by larger corporate Ip rent seekers and more-or-less automated systems (again: cyberpunk dystopia).
Speaking personally I find the equivocation of “copyright infringement” and “theft” ridiculous. One download = \ = one “stolen” sale, and it never has. Theft requires depriving the original of the property, being able to exercise exclusive control over it. Conceptually it has always broken down when talking about digital goods.
So, with all your talk of copyright and AI (and you always make sure to only talk about copyright when AI is involved), have you ever talked about the decision to digitize actor’s voices? Since you work for small creators, I imagine you have a history of being against this sort of copyright, as game studios might opt to use someone else’s digitized voice instead of a new creator, harming your clients.