- cross-posted to:
- news@lemmy.world
- cross-posted to:
- news@lemmy.world
From the article:
When we went to our seats, the wait staff let us know that despite the fact that the previews were playing, we wouldn’t know until the movie actually started whether we could see the film or not. If it didn’t work, the screen would just turn black. Luckily, the film went through without a hitch.
I work at a movie theater and while we don’t use Sony projectors, we were told to check all of our certificates to prevent this from happening. This sounds like a communication issue to me. Someone didn’t do their job in time. Also in the article it says they wouldn’t know if the film would work until it actually played. If that is either an outright lie or the equipment is designed horribly. On the projectors we use which are going on a decade old, the playlist won’t even start if it can’t verify that all of the content is playable and unlocked. We can see when our certificates expire as well so if all of these certificates expired at the beginning of the year. The theater should have already caught that and had the certificates reissued. Keeping in mind that this wasn’t some sort of bug or glitch that nobody could have predicted, then disregard everything I said. DRM on movie theater. Projectors is an industry standard and all companies use it, not just Sony. Until the actual reason comes out, it’s hard to say.
Holy shit, DRM needs to fuck off and die.
Curious about something, maybe you know since you work at a theater. I seem to remember hearing that a theater has to pay royalties each time they show a movie and that newer technology can track and report this automatically. Does the latest technology automatically track this as I recall? And if so, would playing a movie as a test count as a showing?
While this certainly may be possible, I don’t think it’s tracked to that degree. Theaters pay to lease a film and the studio decides if there are special rules for being shown. Some smaller known movies have deals with the theaters to show the film at a very low cost in order to get people to watch it. On the first weekend most of the ticket profit goes to the studios and then every week the profit to the studios gets lower and the theaters get more of that money depending on what was agreed on. Some movies like the Taylor Swift concert film could only be shown after 12:00 p.m. and only Thursday through Sunday for example. Say there was a busy night and we sold out of a show, we could cancel a different show and play that sold out movie in another auditorium to fit more people in. This is fine for most studios except for Disney, if Disney finds out that you cancel one of their films to show a different film, they will not be happy. As far as I know we can show movies and definitely as long as we have the keys active for them and I don’t think the specific amount of time is reported back to the studios, we are just required to play it a minimum amount of times.
Don’t fuck with the mouse?
I find this entirely believable. There’s a LOT of equipment out there designed for profit over user experience.
But you’re right, it’s not really worth speculating over.
I mean, my home is filled with ancient laptops that we use until they explode, its a pretty common occurrence when trying to watch something streaming the ads would load just fine but the actual show wouldn’t actually load. So… shrug
Not familiar with cinema projectors, but as I have gatherered from this forum problem is caused by KDM (used to decrypt movie) provider / reseller called Deluxe. Neither Sony or this cinema chain is at fault and problem indeed seems worldwide.
Find it very hard to believe to be honest. Could this be simply some rumour from colleagues? Doubt any vendor would implement anything like this, drives could be simply encrypted to protect data if they ever get stolen.
Yes, I deal with KDMs weekly but I’m not for sure if this issue was KDM related or if it was certificate related. As for the service destroying themselves, I’ve never personally seen it happen, but I’ve been told by upper management that they’ve seen it happen twice. I don’t really have any way to verify the information but it wouldn’t surprise me and I don’t see why anyone would make that up unless they really don’t want people messing with it, but it seems like such an unlikely scenario.
Sir, I must ask - what are the chances that emplpyee might steal a movie? Or is it not possible because of DRM?
Not a cinema guy, but assuming those movies are encrypted with modern standards, it is practically impossible if you simply would steal the media. Could be done if you could tap into the original playback device where movie plays and pull decrypted copy out of it.
Edit: As per this AES 128 is used so good luck if you ever stumble upon an encrypted copy.
I guess if someone really wanted to they could even with the DRM but the DRM just makes it more difficult.
I’ve gotten bad keys from the studio before, usually when we were doing advanced screenings. It was a relatively quick fix… I think the longest delay was ~15 minutes. I never had to cancel a show because of it, certainly didn’t have to close the entire building.
For as much as I loved the convenience of digital, I really miss the days of 35 film.
35mm was a whole thing and while I miss the nostalgia, I certainly don’t miss the upkeep and the problems with film. Digital is so much easier. I feel the biggest issue with digital is if a problem goes wrong, there’s really not much you can do outside of standard problem fixes. If it’s an internal issue. You’re just screwed until the technician can fix it.
I agree that moving to digital saved so much time, and I’ll never miss brainwraps or thrown platters… but working booth shifts threading projectors were some of the happiest times I had running theaters.
Thursday nights were an event for sure. Building up new movies, breaking down the old ones.